I started this series in early 2020 as we entered a global pandemic and quarantine – a portal of sorts, both a closing and an opening. The act of making these coyotes became portals to me, as self-portraits and as visual commentary (portal and portrait share an ancient root, meaning through, forward, to draw forth). The narratives and imagery are influenced by astrophysics, literature, language, cultural critique, folk spiritualities, and more. The series is ongoing.

I have been and continue to be obsessed with coyotes, which I often encounter and observe on walks in the Bay Area. The oft-mythologized North American wild canid is genetically adjacent to the domestic dog, man’s best friend, but removed enough from civilization to be marked as vermin. Despite a long history of enduring systematic extermination by settler-colonizers, they continue to survive and thrive beyond expectation.

I appropriate coyotes as a mirror and proxy to mapping the contexts of my existence and the limits of my perception, while creating distance from implied specification and containment. They are an oblique path to examining identity, (im)migration, displacement, intergenerational trauma, adaptive resilience, marginalization, and erasure; a foil to my presence as an omnivorous mammal, apex predator, and unwitting species participant in the mass ecological destruction of this planet; a device for expressing all that defies reduction.