For several years I have been visiting a nearby field to watch two coyote parents whom I named Mom and Dad. In November 2012 I found that a new coyote couple had replaced Mom and Dad as the field’s resident coyotes. I named them Rufous and Mary.
Mary being a timid coyote, it has taken me a couple of months to get a close up photograph of her. Rufous isn’t timid and the video begins with him.
After having repeatedly scraped dirt to territorially message my leashed dogs, the video begins with Rufous assessing his effect on us. At this point, Rufous expected us to have either run from him or chased him. Yet we hadn’t moved at all. He wants us to show him we got the message, to show him so by moving. To Rufous we seem really slow in delivering a reply via our feet.
So what’s Rufous to do? Send the message again? Wait? The pause comes from my having constrained my dogs’ ability to communicate, restricted their ability to move. Motion is communication for canines and by now my dogs would have run away except for my influence. I resolved the uncertainty and tension by lobbing a golf ball toward Rufous.
Rufous trots away. Note that a chain link fence separated us and that he was closer to us than a coyote should be allowed to approach, too close for me to just turn and walk away. I needed distance from Rufous in order to leave and he gave it to me when I asked him for it with a softly tossed golf ball.
The next two scenes show Rufous approaching his den area. Mary is waiting there in the brush near the center and if you observe carefully you will see her move slightly. The last scene shows Rufous waiting for us to leave. Mary is off camera and Rufous looks back in her direction
The video shows that to my dogs, Rufous ritualistically messaged his claim to both Mary and the den, communicated those claims in a way that any canine would understand. Deviation from canine expected motion, communication, came from my desire to spectate instead of move.
Posting written by Charles Wood. Visit Charles Wood’s website for more coyote photos: Charles Wood. His work is copyrighted and may only be used with his explicit permission.